InformAction
Canadian Television Fund created by the Government of Canada and the Canadian Cable Industry - CTF: Licence Fee Program - Telefilm Canada: Equity Investment Program
Quebec (Film and Television Tax Credit - Gestion SODEC)
Canada (The Canadian Film or Video Production Tax Credit)
Radio-Canada
RDI
José Menga
José Menga received death threats from the chief of police after airing a report about divisions within Kisangani police force. Death squads tried to assassinate him. The Congolese government only intervened to protect him as a result of pressure from Reporters without Borders and the international media. Today, Menga has a single goal in life: to defend the powerless. “Journalism must speak for those who have no voice, for people without power who cannot speak out, but who can only whisper. You start with that and take it further”. His anger against injustice, war and suffering annoys the authorities.
André Kitenge
André Kitenge has an insatiable thirst for social justice. His poised, calm discrete but affirmative demeanour turn to fury when he denounces the abuses the population suffers at the hands of the army. André knows exactly why he practices his profession. He is convinced that the freedom he experiences at Radio Okapi keeps him proactive in the Congo. The direct impact of his daily reports on the fate of the people motives him to continue his work. “Now the Congolese people are able to speak out, they express their thoughts, they denounce things. They’ve gotten rid of their fear. So I don’t feel alone in this fight to bring about change”.
Jules Ngala
When fighting breaks out, the newsroom springs into action and the staff works cohesively as a team. Jules Ngala, radio host and ace reporter, is at the center of it all. As a senior journalist from Goma, Jules suffers deeply from the many conflicts that are destroying the country, his own region in particular. This strong man with a tender heart is highly subjective when preparing a piece, if subjectivity signifies having feelings, empathy and emotions. But he also has an amazing gift for objectivity when delivering a journalistic analysis of the events he covers. “When the people spontaneously come to us to denounce crimes such as violence or rape, we are revolted. We consider our weapon is our microphone. We are not a radio of denunciation, but, when necessary, we denounce and refuse to hide our heads in the sand ”.
Radio Okapi first went on the air on February 25th 2002, the very day that the Inter-Congolese Dialogue began in Sun City, South Africa, triggering a process that eventually brought about the transition to peace in the Democratic Republic of Congo. It is the first national radio in the history of this huge Central African country. Eight regional stations cover the entire territory, and newscasts are broadcast in five languages to the 450 ethnic groups that make up the nation. The station was created by the UN, under whose protection it operates, and the Hirondelle Foundation, a Swiss NGO composed of journalists who set up radio stations in zones of conflict. Radio Okapi is a free radio operating in a conflict zone, and its existence is often threatened. After thirty years of dictatorship under Mobutu, during which freedom of the press was totally banned, followed by five years of civil war that is responsible for 4 million deaths to date, journalists still risk their lives to denounce the chaos that continues to dominate the country.
(A) beautiful film
Absolutely remarkable
Exceptional
A must!
(A) success
Arr?ts sur Images Festival Charleroi 2008
Detroit Docs International Film Festival Film Most Likely to Change the World Award, 2007
Festival des Libert?s Brussels 2008
Festival du Film et Forum International sur les Droits Humains Geneva 2009
Festival international de films francophones de Namur 2007
Films from the South Festival Oslo 2008
Global Justice Film Festival Oakbank (USA) 2009
Hot Docs CIDA (Canadian International Development Agency) Award: Prize for best Canadian documentary on international development, Toronto 2008
Human Rights Human Wrongs Oslo 2008
Human Rights Prize for a documentary focusing on the role of communication in promoting human rights and democratization, 2008
International Human Rights Film Festival in Albania 2009
International Week of Justice Festival New Delhi 2008
Kassel Documentary Film and Video Festival 2007
Pan Africa International Vues d?Afrique, Montreal 2007
G?meaux Awards Nominated for Best Documentary: Society, 2008
Staten Island Film Festival 2008
VERZIO International Human Rights Documentary Film Festival Budapest 2008
World Community Film Festival Courtenay 2008
?crans Noirs du cinema africain et francophone Yaound? (Cameroun) 2009
Marda Loop Justice Film Festival Calgary 2011
When we first set foot in the Democratic Republic of Congo, we were struck by the destruction of war and the extreme poverty of this giant land in Central Africa. With no national infrastructure for road transport, the country survives on a day-to-day basis. Gradually, we began to discover a people who are devastated yet strong, who continue to resist, despite countless suffering, and who command our greatest admiration. We dedicate this film to them.
We worked as regional bureau chiefs at Radio Okapi in the Congo over several months in 2004. We were impressed by the impact this radio has had on the reconstruction of the country and on the population in general. Each Okapi investigation and reportage carried out in the field was the occasion for large crowds to gather, full of authentic moments where people would speak openly to the Congolese journalists about their problems, and the abuses they suffer on a daily basis. We were moved by the will of the Congolese people to regain their rights. Their collective determination to speak out and break the silence is aired on this free radio, a voice that speaks out against all those who want to turn back the clock, when confronted. This newfound freedom of expression constitutes an intrinsic step in the Congolese people’s march towards democracy, and its impact can be felt in concrete, effective ways. We believe Radio Okapi is a precedent that can serve as an example for all countries that are zones of conflict.
Pierre Mignault & H?l?ne Magny
In the Democratic Republic of Congo, a country whose record of human rights violations is among the worst in the world, the journalists at Radio Okapi risk their lives every day to expose the abuses of power to which the civilian population is subjected. Shooting in danger zones still in the grip of rebellion, the filmmakers follow the work of several reporters from this independent, UN-backed national radio station. In a land where silence is imposed at gunpoint, Shock Waves provides moving testimony to the struggle for freedom of expression and democracy in a country torn apart in the aftermath of war.
In the Democratic Republic of Congo, murder, rape, armed conflict and the looting of civilians by the military are daily facts of life. In this huge country where chaos and corruption reign, the journalists of Radio Okapi constantly put their lives at risk to expose the abuses of power to which the Congolese people are subjected. This is one of the worst humanitarian crises in our world today.
Shooting in danger zones where the rebellion rages on, filmmakers Pierre Mignault and Hélène Magny follow several investigative reporters on their beat. Taking us up the Congo River and deep into the equatorial jungle, they capture with a hidden camera a reporter’s confrontation with unscrupulous soldiers who practise extortion and torture. A reporter journeys East to cover a new outbreak of the rebellion, and returns with harrowing testimony by victims of rape and destruction. Elsewhere, after denouncing the chief of police, another journalist barely escapes reprisal by a death squad. All across the country, Radio Okapi’s national network of reporters takes enormous risks to put the truth on the air.
Shock Waves is a hard-hitting documentary that denounces the crimes committed by armed thugs in the Democratic Republic of Congo. It also paints an unforgettable picture of an independent radio and its courageous journalists, who are aware that they are making History.
Shot in a land where silence is imposed at gunpoint, Shock Waves provides riveting testimony to the difficult birth of freedom of expression and democracy in a country torn apart in the aftermath of war.
With the participation of Radio Okapi’s staff and especially José Menga, André Kitenge, Jules Ngala, Yves Renard, Rhama Mbayi, Gisèle Kaj, Charles Ntyryica and Franklin Moliba Sese.