Crédits

Retour aux productions

Produit par

InformAction

Produit avec la participation financière de

SODEC Soci?t? de d?veloppement des entreprises culturelles ? Qu?bec (Programme d'aide aux jeunes cr?ateurs)

Fonds canadien de t?l?vision cr?? par le gouvernement du Canada et l'industrie canadienne de t?l?vision par c?ble - T?l?film Canada - programme de participation au capital

Qu?bec Cr?dit d?imp?t cin?ma et t?l?vision - Gestion SODEC

Gouvernement du Canada Cr?dit d'imp?t pour film ou vid?o canadien

Fonds documentaire Rogers

et la collaboration de

Conseil des Arts : Arts m?diatiques

CBC Newsworld

CFCF 12 Montreal

PERSONNAGES PRINCIPAUX

Retour aux productions

En anglais seulement

Mrs. Levy : Mrs. Levy is Warshaw’s platinum-haired, kimono-wearing matriarch. Born Helen Florkevitch, she inherited the store from her parents, immigrants who had operated a fruit and vegetable pushcart in their native Poland. Helen has worked in the store since she was a young girl, when she filled out order forms and wrote cheques for her parents, who couldn’t read or write. Now in her seventies, Mrs. Levy ranned the store and worked there every day, from early morning to evening.

Rosie :
Rosie had never strayed very far outside her Italian neighbourhood until she got a job as a cashier at Warshaw. Full of charisma and vitality, the red-haired Rosie practically jumps off the screen. She is the mother hen of her group of cashiers, but questions how long she wants to stay at the job.

Susy :
Susy is the gentle cashier whose parents moved to Portugal. When her mother pays her a surprise visit in the store, she realises how much she misses her family.

Sandra :
Sandra is the sassy cashier with a devilish twinkle in her eyes. Completely boy-crazy, she doesn’t mind speeding through her work if it means more time to flirt.

Elda :
Elda is the cashier who is dating Anthony, the butcher. A solid young woman with aspirations for law school. She and Rosie are inseparable.

Spiros :
Spiros is the touching 61-year-old vegetable stocker at Warshaw. He has worked at the store for 30 years, since he came to Canada from Greece. He has a small wrinkled face, thinning white hair and steely black eyes. Spiros speaks a language of his own: broken, full of metaphors, digressions, and flatteries to pretty women. Spiros himself is a metaphor for Warshaw: older and wrinkled, but full of energy and character. He dreams of one day winning the lottery.


Festivals

Retour aux productions

Festival Images du nouveau monde 1999 (Qu?bec)

Note d'intention

Retour aux productions

Résumé court

Retour aux productions

Warshaw sur la Main, premier documentaire de Tally Abecassis, c'est la rencontre, filmée sur une période d'un an, avec ceux et celles qui vivent et travaillent à Warshaw, supermarché-bazar-magasin général unique en son genre sur le Boulevard St-Laurent. Propriété de la famille qui l'a fondée en 1935, Warshaw est devenu un microcosme du Montréal multi-ethnique. Warshaw suit ses propres lois, à contre-courant de tous les principes de gestion des magasins à grandes surfaces.

Warshaw sur la Main
nous plonge dans l'univers de ceux qui lui donnent son cachet particulier : les jeunes caissières Rosie, Elda, Susy et Sandra, complices et impertinentes; Madame Levy, septuagénaire aux cheveux platine, fille des fondateurs et patronne de l'entreprise familiale; Spiros le Grec, philosophe à ses heures entre deux arrivages de fruits et légumes. Drôles et attachants, ce sont ces personnages qui font vivre le film.

Warshaw a fermé ses portes en décembre 2002.